Since human bones are extremely hard to acquire in Canada by legal
means (and I have no interest in becoming a criminal) I have been doing
some thinking. Would other varieties of easily accessible bones have
useful properties? After doing some research involving animal symbolism
and mythology, I came to a definite conclusion. The bones of some
animals could actually be more useful than those of humans! These were
three varieties easily obtained at the grocery store with the purchase
of meat, namely: chicken, pig, and cow. Below I shall list the
associations of each animal.
Chicken - This creature is associated with the qualities of: Injury, Sacrifice, Fertility, Cowardliness and Initiation.
Pig- This creature is associated with the qualities of: Destruction, Sloth/Greed, Ignorance, Abundance, and Fertility.
Cow- It is associated with the following qualities: Slaughter, Taboo, Grief, Purification, and Wealth.
Considering
that the main connotations of bones themselves are Death and Mortality,
the positive qualities attached to the animals become reversed.
Fertility becomes Sterility. Abundance becomes Scarcity. Wealth becomes
Poverty. The Purification quality attached to the cow does not become
reversed like the other positives. This is due to the fact that cow
ashes were used in a Jewish ritual to purify one who had touched a dead
body.
So as can be seen while human bones in the form of dust can
only be used in magics of Death and Mortality, the others can be used to
cause a variety of conditions. Now consider the situation in which
these animals died and their remains were treated and apply animistic
beliefs. From that we can conclude that the spirits of these animals
were angered by their treatment and at no point was any ritual performed
to ease their spirits. This makes powders made from their bones perfect
for cursing and hexing one's enemies.
I suggest being careful
when handling the bones and the resulting powder. You should wear a
disposable dusk mask in order to prevent inhaling the powder. I realize
that fish bones are also easily acquired but fish have no negative
qualities associated with them. In regards to the chicken's association
with Initiation, I believe it could have various ceremonial/religious
uses.
Until next time!
Tuesday, 31 December 2013
Tuesday, 24 December 2013
Libitina, Patron of Undertakers
Religion: Ancient Roman
Titles/Epithets: Death
Functions: Goddess of Burial, Corpses, Funerals, Undertakers, and Records of the Dead (Obituaries)
Offerings: Coins
Symbols: Dark Wings
Sacred Animals: Birds of Prey
Sacred Plants: Horehound and Henbane
Relatives: Unknown, Associated with Venus
Festival: February 21st-27th, known as Feralia
Titles/Epithets: Death
Functions: Goddess of Burial, Corpses, Funerals, Undertakers, and Records of the Dead (Obituaries)
Offerings: Coins
Symbols: Dark Wings
Sacred Animals: Birds of Prey
Sacred Plants: Horehound and Henbane
Relatives: Unknown, Associated with Venus
Festival: February 21st-27th, known as Feralia
Myths
None have Survived
Monday, 23 December 2013
Ereshkigal, The Great Lady Under the Earth
Religion: Sumerian and Akkadian
Titles/Epithets: Mistress of Souls
Functions: Queen of the Underworld, Judge of the Dead, Warden of Souls
Domain/Kingdom: Irkalla (also known as Arali, Kigal, Gizal, and the lower world)
Offerings: Wine, Garlic, Grains, Beans, Truffles, Onions, Lettuce, Fish
Sacred Animals: Owls and Lions
Relatives: Inanna/Ishtar (Sister), Nergal (Consort)
Titles/Epithets: Mistress of Souls
Functions: Queen of the Underworld, Judge of the Dead, Warden of Souls
Domain/Kingdom: Irkalla (also known as Arali, Kigal, Gizal, and the lower world)
Offerings: Wine, Garlic, Grains, Beans, Truffles, Onions, Lettuce, Fish
Sacred Animals: Owls and Lions
Relatives: Inanna/Ishtar (Sister), Nergal (Consort)
Myths
The Necromancer's Cauldron
The cauldron of a necromancer... it evokes a certain grim image in
one's mind. I can guarantee you however that whatever you are imagining
is completely wrong. Firstly the vessel in question is small (usually 3
1/4 inches tall, by 3 inches wide), made of cast iron with a lid of the
same material). Secondly none of its uses involve macabre ingredients
such as parts of corpses, innocent blood, dead animal parts, etc.
Thirdly you won't ever see one being used in a graveyard. So how is it
used? Well in number of ways such as shown in the examples I will give.
Well the most common use is in offering blessings or to ask requests of the dead. In order to do this the cauldron is partially filled with dried necromantic herbs. The blend I suggest is a combination of wormwood, marshmallow (althea), and dandelion root. This will attract benevolent spirits and will make communication easier. The papers on which the blessings or requests are written are then laid on-top of the herbs. The bottom layer is then lit and when everything is consumed the message has been relayed to the dead. Be sure to use a fire-proof base or you will likely lose your base of operations.
Another common use for a cauldron by a necromancer is to hold offerings for chthonic gods and spirits of the dead. Usually these take the form of liquid libations such as wine, olive oil, ale, mead, etc. The libations are poured into the vessel during the course of a ritual of worship. They are subsequently disposed after a period of time by digging a hole and emptying the cauldron into it. After this is done the hole is refilled and the ground smoothed over. The cauldron can also be used to hold food offerings. In such a case the procedure for disposal is the same.
Divination by fire is the third most frequent use for a cauldron owned by a Worker of the Dead. This process is performed by once again filling the cauldron partially with necromantic herbs or wood shavings from trees of the dead. These are then lit on fire and the flames are watched closely for images or shapes. These are then interpreted by the necromancer according to his/her personal symbol system. If using the smoke from the fire to divine then the necromancer blows the smoke away from him/her after asking a question. If the smoke twists clockwise (deasil) the answer is NO. If it twists counterclockwise then the answer is YES. As with the message delivery a fire-proof base should be used. Another form of divination that uses a cauldron is done with olive oil (which is sacred to the dead) and water. The vessel is filled with warm water and then the oil is added. The shapes formed are interpreted symbolically.
A less common use for the cauldron is for the mixing of magical oils. In necromancy magical oils are used for a variety purposes though they are generally are less important than other tools. The oils that a necromancer uses are generally meant for the following purposes: anointing tools, dressing candles and other objects, and anointing the body before rituals or spells. Oils are not used by all necromancers except those who incorporate elements of other magical traditions (such as hoodoo, ceremonial magic, etc.) into their practice.
Note: the cauldron can also be be used to hold libations of olive oil, wine, or other liquid libations meant for the dead or chthonic gods. Additionally it can be used for holding things such as: bone dust, consecrated water, graveyard dirt, etc.
That's all for this post!
Slainte!
Well the most common use is in offering blessings or to ask requests of the dead. In order to do this the cauldron is partially filled with dried necromantic herbs. The blend I suggest is a combination of wormwood, marshmallow (althea), and dandelion root. This will attract benevolent spirits and will make communication easier. The papers on which the blessings or requests are written are then laid on-top of the herbs. The bottom layer is then lit and when everything is consumed the message has been relayed to the dead. Be sure to use a fire-proof base or you will likely lose your base of operations.
Another common use for a cauldron by a necromancer is to hold offerings for chthonic gods and spirits of the dead. Usually these take the form of liquid libations such as wine, olive oil, ale, mead, etc. The libations are poured into the vessel during the course of a ritual of worship. They are subsequently disposed after a period of time by digging a hole and emptying the cauldron into it. After this is done the hole is refilled and the ground smoothed over. The cauldron can also be used to hold food offerings. In such a case the procedure for disposal is the same.
Divination by fire is the third most frequent use for a cauldron owned by a Worker of the Dead. This process is performed by once again filling the cauldron partially with necromantic herbs or wood shavings from trees of the dead. These are then lit on fire and the flames are watched closely for images or shapes. These are then interpreted by the necromancer according to his/her personal symbol system. If using the smoke from the fire to divine then the necromancer blows the smoke away from him/her after asking a question. If the smoke twists clockwise (deasil) the answer is NO. If it twists counterclockwise then the answer is YES. As with the message delivery a fire-proof base should be used. Another form of divination that uses a cauldron is done with olive oil (which is sacred to the dead) and water. The vessel is filled with warm water and then the oil is added. The shapes formed are interpreted symbolically.
A less common use for the cauldron is for the mixing of magical oils. In necromancy magical oils are used for a variety purposes though they are generally are less important than other tools. The oils that a necromancer uses are generally meant for the following purposes: anointing tools, dressing candles and other objects, and anointing the body before rituals or spells. Oils are not used by all necromancers except those who incorporate elements of other magical traditions (such as hoodoo, ceremonial magic, etc.) into their practice.
Note: the cauldron can also be be used to hold libations of olive oil, wine, or other liquid libations meant for the dead or chthonic gods. Additionally it can be used for holding things such as: bone dust, consecrated water, graveyard dirt, etc.
That's all for this post!
Slainte!
Sunday, 22 December 2013
The Creation and Use of Ancestor Dolls
The ancestor doll is a type of spirit vessel meant to anchor your
ancestors in this world and allow them to manifest. They are also used
as a portable ancestral altar. Many people find ancestor dolls easier to
manage then a actual altar to deceased family members for a number of
reasons. Firstly since they are dolls they are more covert than a altar
thus allowing one to practice ancestor veneration in areas hostile to
such beliefs. Secondly they don't require the same amount of upkeep as
actual altar. Thirdly it is sometimes easier to talk to a physical
representation of a person than apparently empty air. It is important to
note that ancestor dolls are NOT toys for children. They are meant to
be treated as people. They are talked to, offered food/drink/incense,
taken with you when you travel, introduced to new family members such as
children and spouses, etc. They are also filled with a number of
ingredients that are assuredly dangerous if ingested.
So, how does one make an ancestor doll? The process is fortunately not complicated, and only the following items are needed. These are: clothes belonging to a deceased family member (or white cloth), two patterns (one male, one female), rosemary (for remembrance), althea leaves or root (aka marshmallow, for benevolent spirits), wormwood (calling spirits), dandelion root (communication with the dead), your hair/nail clippings/dead skin/teeth/etc. (anchoring and connection). Balm of Gilead (for spirit manifestation), and graveyard dirt (from a crossroad in a cemetery). Additional requirements are a pair of scissors, needle and thread, and some pieces of paper. These pieces of paper are the most important ingredient in the creation of ancestor dolls. Upon them will be written the names of all ancestors you are aware of in your family tree. Any additional information such as their relation to you, likes and dislikes, favourite foods and drinks should be included if known. It is important that they be separated by gender as both a male and female doll should be made.
To begin, the patterns are pinned to the folded white cloth, making sure that a total of four pieces will be cut out. Once cut the two parts of each doll will be almost completely sewn together, creating an internal cavity. Next the ingredients are placed inside each doll in whatever order you desire. When the dolls are filled the sewing is completed sealing the herbs, dirt, personal concerns, and slips of paper within. The dolls will be left without faces when completed so each can represent multiple generations. They also should not be dressed in clothing with the exception of the dress included in the female pattern. This is to prevent the ancestors from being confused or offended upon finding their vessel strangely dressed. Cloth hair can be included in the designs.
Once the ancestor dolls are completed they should be consecrated in the name of your ancestors and charged with prayer (to the ancestors as well as other spiritual entities depending on your beliefs) and intent. From that point on they should be treated with respect. Don't get them dirty, don't swear in front of them, and don't mistreat them.
That's all for this post. Slainte mhaith!
So, how does one make an ancestor doll? The process is fortunately not complicated, and only the following items are needed. These are: clothes belonging to a deceased family member (or white cloth), two patterns (one male, one female), rosemary (for remembrance), althea leaves or root (aka marshmallow, for benevolent spirits), wormwood (calling spirits), dandelion root (communication with the dead), your hair/nail clippings/dead skin/teeth/etc. (anchoring and connection). Balm of Gilead (for spirit manifestation), and graveyard dirt (from a crossroad in a cemetery). Additional requirements are a pair of scissors, needle and thread, and some pieces of paper. These pieces of paper are the most important ingredient in the creation of ancestor dolls. Upon them will be written the names of all ancestors you are aware of in your family tree. Any additional information such as their relation to you, likes and dislikes, favourite foods and drinks should be included if known. It is important that they be separated by gender as both a male and female doll should be made.
To begin, the patterns are pinned to the folded white cloth, making sure that a total of four pieces will be cut out. Once cut the two parts of each doll will be almost completely sewn together, creating an internal cavity. Next the ingredients are placed inside each doll in whatever order you desire. When the dolls are filled the sewing is completed sealing the herbs, dirt, personal concerns, and slips of paper within. The dolls will be left without faces when completed so each can represent multiple generations. They also should not be dressed in clothing with the exception of the dress included in the female pattern. This is to prevent the ancestors from being confused or offended upon finding their vessel strangely dressed. Cloth hair can be included in the designs.
Once the ancestor dolls are completed they should be consecrated in the name of your ancestors and charged with prayer (to the ancestors as well as other spiritual entities depending on your beliefs) and intent. From that point on they should be treated with respect. Don't get them dirty, don't swear in front of them, and don't mistreat them.
That's all for this post. Slainte mhaith!
Saturday, 21 December 2013
Usage and Properties of Graveyard Dirt
The most important thing one should know about graveyard dirt is that
it is not a herb. Additionally there are no substitutes that will work
properly despite opinions to the contrary. Graveyard dirt MUST be
collected from an actual cemetery, preferably at night. In my personal
opinion the phase of the moon while it is being collected is not of much
importance. However I do acknowledge that dirt collected during a new
moon is likely more powerful than if it was collected at another time.
When collecting dirt for a specific purpose a number of things must be done. First the type of working you are going to use the dirt for must be decided. Next research must be performed to determine whether there is an individual in your local cemetery which possessed the qualities needed for the magic. This can sometimes be done through a search of newspaper archives but most of the time divination is necessary. Once a grave with the required qualities is located permission from its inhabitant must be acquired. Sometimes this can be difficult and another grave must be located. Following this step the dirt must be collected and payment given to the deceased. The traditional payment is usually a dime since those in the United States once had a picture of the god Mercury upon it.
The powers and uses of dirt from specific graves can be determined by the nature of their resident. To demonstrate this I shall give a number of examples. Dirt from the grave of a soldier for instance can be used to induce bravery, strength, quick thinking, or to get an individual to obey you and follow orders. Dirt from the grave of a killer/murderer can be used both to gain revenge and to cause harm. In this instance negotiation with the spirit should be undertaken to prevent the dirt from actually causing death. To heal or cause illness, the dirt from the grave of either a doctor or nurse should be brought to bear. As a final example if one wishes to create romance, create sexual attraction, or induce lust the best variety of dirt to use is from an adolescent.
However for those who feel uncomfortable with taking dirt from an actual grave magical theory provides an alternative. This is simply to use dirt taken from a crossroads within a cemetery. Crossroads are thought in many belief systems to be places of great spiritual power associated with magic, rituals, pagan deities, demons, and the dead. The fact that a crossroads within a cemetery is possesses a double connection with the dead should make it quite powerful in necromantic operations. To use it for a specific type of magic I suggest mixing it with finely powdered herbs chosen specifically for the working.
Methods for using graveyard dirt including the following though there are more. Method number one is to rub it on your hand before you shake hands with someone you want to affect. This method is not recommended for cursing or hexing since it will also affect the necromancer. The second method is to sprinkle it around the property or inside the house of your intended target. The last one that sees common use is the blow powder method whereby a small amount is blown into the face of your quarry.
When collecting dirt for a specific purpose a number of things must be done. First the type of working you are going to use the dirt for must be decided. Next research must be performed to determine whether there is an individual in your local cemetery which possessed the qualities needed for the magic. This can sometimes be done through a search of newspaper archives but most of the time divination is necessary. Once a grave with the required qualities is located permission from its inhabitant must be acquired. Sometimes this can be difficult and another grave must be located. Following this step the dirt must be collected and payment given to the deceased. The traditional payment is usually a dime since those in the United States once had a picture of the god Mercury upon it.
The powers and uses of dirt from specific graves can be determined by the nature of their resident. To demonstrate this I shall give a number of examples. Dirt from the grave of a soldier for instance can be used to induce bravery, strength, quick thinking, or to get an individual to obey you and follow orders. Dirt from the grave of a killer/murderer can be used both to gain revenge and to cause harm. In this instance negotiation with the spirit should be undertaken to prevent the dirt from actually causing death. To heal or cause illness, the dirt from the grave of either a doctor or nurse should be brought to bear. As a final example if one wishes to create romance, create sexual attraction, or induce lust the best variety of dirt to use is from an adolescent.
However for those who feel uncomfortable with taking dirt from an actual grave magical theory provides an alternative. This is simply to use dirt taken from a crossroads within a cemetery. Crossroads are thought in many belief systems to be places of great spiritual power associated with magic, rituals, pagan deities, demons, and the dead. The fact that a crossroads within a cemetery is possesses a double connection with the dead should make it quite powerful in necromantic operations. To use it for a specific type of magic I suggest mixing it with finely powdered herbs chosen specifically for the working.
Methods for using graveyard dirt including the following though there are more. Method number one is to rub it on your hand before you shake hands with someone you want to affect. This method is not recommended for cursing or hexing since it will also affect the necromancer. The second method is to sprinkle it around the property or inside the house of your intended target. The last one that sees common use is the blow powder method whereby a small amount is blown into the face of your quarry.
Celtic Death Spirits
Most people have never heard of the Ankou or the dullahan, which is
not surprising since discussions on folklore are usually limited to
specific circles. The first is a singular spirit of death while the
dullahan is considered to be a species of dark fae. Both beings are
incredibly interesting although not much information concerning them has
survived the passage of time and the growing influence of science.
However despite the adversity facing them it is my opinion that both of
these entities survive in modern times, even if there is a lack of
sightings.
Ankou is the personification of Death and in Breton folklore as well as Cornish and Norman French folklore. There are three theories as to this spirit's origin. The first holds that he is the first-born child of Adam and Eve. The second view asserts that he was once a cruel prince who met Death during a hunting trip and challenged the entity to see who could kill a black stag first. Death won the contest and the prince for his arrogance was cursed to roam the earth for eternity performing Death's job. The third and more widely held view is that the Ankou is the first dead person of the year. In this belief he is charged with collecting the souls of others for the entire year before he can go to the afterlife. This spirit is always depicted as male, usually as a man or skeleton wearing a cloak and hat while wielding a scythe. He is said to drive a large black coach pulled by four black horses and is accompanied by two ghostly figures who travel on foot. Every parish in Brittany is considered to have its own Ankou. Lastly in a year where there has been more deaths than usual people say the following. "War ma fe, heman zo eun Anko drouk." ("on my faith this is a nasty Ankou")
The dullahan on the other hand is a different story, although it is a spirit of death it is also a dark faerie hailing from Ireland. When seen it usually appears as a headless rider on a black horse carrying its head under one arm. The head's eyes are said to be small, black, and constantly darting about like flies. The mouth is set in a horrendous grin that stretches to both sides of its head. The flesh of this gruesome severed object reportedly has the color and firmness of moldy cheese. The dullahan uses the spine of a corpse for a whip and the wagon it pulls is adorned with funeral objects. There are skulls with candles to light its way, wheel spokes made from thigh bones, and a wagon covering made from human skin. When a dullahan stops riding, a person is due to die at that location. The dullahan then calls out their name at which point they perish. There is no way to prevent a dullahan from claiming a victim as all locks, doors, and gates open before them. Dullahan do not like being watched while going about their business and will throw a basin of blood on observers they discover. or striking the watcher's eyes with their whips. This is often a sign that the person will be the next to die. The dullahan however does possess a single weakness, they are deathly afraid of gold. This fear is so great that even a single gold pin can drive them away.
Ankou is the personification of Death and in Breton folklore as well as Cornish and Norman French folklore. There are three theories as to this spirit's origin. The first holds that he is the first-born child of Adam and Eve. The second view asserts that he was once a cruel prince who met Death during a hunting trip and challenged the entity to see who could kill a black stag first. Death won the contest and the prince for his arrogance was cursed to roam the earth for eternity performing Death's job. The third and more widely held view is that the Ankou is the first dead person of the year. In this belief he is charged with collecting the souls of others for the entire year before he can go to the afterlife. This spirit is always depicted as male, usually as a man or skeleton wearing a cloak and hat while wielding a scythe. He is said to drive a large black coach pulled by four black horses and is accompanied by two ghostly figures who travel on foot. Every parish in Brittany is considered to have its own Ankou. Lastly in a year where there has been more deaths than usual people say the following. "War ma fe, heman zo eun Anko drouk." ("on my faith this is a nasty Ankou")
The dullahan on the other hand is a different story, although it is a spirit of death it is also a dark faerie hailing from Ireland. When seen it usually appears as a headless rider on a black horse carrying its head under one arm. The head's eyes are said to be small, black, and constantly darting about like flies. The mouth is set in a horrendous grin that stretches to both sides of its head. The flesh of this gruesome severed object reportedly has the color and firmness of moldy cheese. The dullahan uses the spine of a corpse for a whip and the wagon it pulls is adorned with funeral objects. There are skulls with candles to light its way, wheel spokes made from thigh bones, and a wagon covering made from human skin. When a dullahan stops riding, a person is due to die at that location. The dullahan then calls out their name at which point they perish. There is no way to prevent a dullahan from claiming a victim as all locks, doors, and gates open before them. Dullahan do not like being watched while going about their business and will throw a basin of blood on observers they discover. or striking the watcher's eyes with their whips. This is often a sign that the person will be the next to die. The dullahan however does possess a single weakness, they are deathly afraid of gold. This fear is so great that even a single gold pin can drive them away.
Friday, 20 December 2013
Wands in Necromantic Practice
Proper Length = 21.75 inches or 55.254 centimeters (Calculated using the average of 6 lengths from the following texts: The Avesta, The Grand Grimoire, The Book of Abramelin, Epitome of Supernatural Magic, Les Veritables Clavicules de Salomon, and The Key of Knowledge reference point 73)
Iron Wand: Steel is not an acceptable substitute, it MUST be iron. This wand is used to raise the spirits of the dead from their grave and summon them to your location. It can also be taken into a cemetery, then pointed at a grave while asking a question. The holder of the wand should be able to hear the answer of the spirit soon after. Lastly it can double as a weapon against angry spirits.
Yew Wand: The yew as mentioned in another post is known as the Tree of Death. It also symbolizes immortality/longevity (because it possible may be the longest-lived tree in the world) and rebirth (due to its uncanny ability to regrow from terrible damage). On account of this it can be used in spells of life and healing as well as in death curses. Since it was frequently planted in graveyards, it can also be used to summon the spirits of the dead.
Dogwood Wand: A Christian legend tells that this tree was used to crucify the White Christ and so was cursed to dwindle from its former size. The necessary information concerning this plant's connection to necromancy is hard to find but I was able to locate it. Dogwood can be used in ancestor workings both to draw upon their power and to call them to your aid.
Cypress Wand: Another tree connected with death. It can be used in spells of binding and release, increasing longevity, and for healing grief. Cypress also happens to be one of the sacred trees of the Greek god, Hades. It is likely it that it can be used to draw upon his power.
Willow: The willow is a tree with a connection to death that is overshadowed by its more upbeat aspects. This tree can be used in workings related to burials, summonings, and grief.
Iron Wand: Steel is not an acceptable substitute, it MUST be iron. This wand is used to raise the spirits of the dead from their grave and summon them to your location. It can also be taken into a cemetery, then pointed at a grave while asking a question. The holder of the wand should be able to hear the answer of the spirit soon after. Lastly it can double as a weapon against angry spirits.
Yew Wand: The yew as mentioned in another post is known as the Tree of Death. It also symbolizes immortality/longevity (because it possible may be the longest-lived tree in the world) and rebirth (due to its uncanny ability to regrow from terrible damage). On account of this it can be used in spells of life and healing as well as in death curses. Since it was frequently planted in graveyards, it can also be used to summon the spirits of the dead.
Dogwood Wand: A Christian legend tells that this tree was used to crucify the White Christ and so was cursed to dwindle from its former size. The necessary information concerning this plant's connection to necromancy is hard to find but I was able to locate it. Dogwood can be used in ancestor workings both to draw upon their power and to call them to your aid.
Cypress Wand: Another tree connected with death. It can be used in spells of binding and release, increasing longevity, and for healing grief. Cypress also happens to be one of the sacred trees of the Greek god, Hades. It is likely it that it can be used to draw upon his power.
Willow: The willow is a tree with a connection to death that is overshadowed by its more upbeat aspects. This tree can be used in workings related to burials, summonings, and grief.
Hekate, Lady of the Crossroads
Religion: Ancient Greek
Titles/Epithets: Destroyer, Angry One, Terrible One, Lady of the Underworld, Three-Formed, Three-Bodied, Of the Crossroads, Of the Three-Ways, Of the Wayside, Of Mount Zerynthia, Night Wandering, Tender, Delicate, Nurse of the Young, Leader of the Dogs, Only Begotten Maiden, Bright-Coiffed, Queen of Those Below, Angelos, Queen of Ghosts, Chthonia, Phosphoros, She Who Attends, She That Protects, Saviour ...
Functions: Goddess of Witchcraft, Necromancy, Crossroads, Magic, Sorcery, Herbs, Poisonous Plants, Family, Protection, The Three Realms (Earth, Sky, and Sea), Companion of Persephone, and Titan.
Offerings: Red Wine, Candles, Incense (Myrrh), Honey, Eggs (Raw) , Olive Oil, Garlic, Fish, Leeks
Symbols: Torch, Dark Moon
Sacred Animals: Dogs, Weasel/Polecat, Red Mullet
Sacred Plants: Yew, Garlic, Aconite, Belladonna, Dittany, and Mandrake
Relatives: Perses (Father), Asteria (Mother)
Titles/Epithets: Destroyer, Angry One, Terrible One, Lady of the Underworld, Three-Formed, Three-Bodied, Of the Crossroads, Of the Three-Ways, Of the Wayside, Of Mount Zerynthia, Night Wandering, Tender, Delicate, Nurse of the Young, Leader of the Dogs, Only Begotten Maiden, Bright-Coiffed, Queen of Those Below, Angelos, Queen of Ghosts, Chthonia, Phosphoros, She Who Attends, She That Protects, Saviour ...
Functions: Goddess of Witchcraft, Necromancy, Crossroads, Magic, Sorcery, Herbs, Poisonous Plants, Family, Protection, The Three Realms (Earth, Sky, and Sea), Companion of Persephone, and Titan.
Offerings: Red Wine, Candles, Incense (Myrrh), Honey, Eggs (Raw) , Olive Oil, Garlic, Fish, Leeks
Symbols: Torch, Dark Moon
Sacred Animals: Dogs, Weasel/Polecat, Red Mullet
Sacred Plants: Yew, Garlic, Aconite, Belladonna, Dittany, and Mandrake
Relatives: Perses (Father), Asteria (Mother)
Myths
Coffin Nails: Not Just for Malice
A necromantic tool derived from the system of hoodoo, the coffin nail
is now an extremely rare item. This is due to the fact that it is no
longer needed for making coffins in the American South. The coffin nail
is easily identifiable by its square head and its iron content. Since
not all of us are lucky enough to know an actual blacksmith (Score one
for me), a substitute is available. Simply use old rusted nails, but
make sure your tetanus shot is up to date (or just wear gloves).
So what is a coffin nail used for in necromancy? The answer to put it simply is a lot. The nails can be used to carve sigils/symbols/words/etc. into candles. Their most obvious use is in sympathetic magic, where they are used to pierce or prick a poppet. Other uses include talismanic creation, protection spells, hexing, spirit attraction, contract magic, War Water, and warding houses (ie: "nailing down the house"). The coffin nail is associated with graveyards, the dead, and burial and thus can be used in any related magic. They can also be combined with other things such as herbs, graveyard dirt, etc. in order to increase the potency of a necromantic spell. Lastly they can also be used in thanatic magic if they were exposed to death or a dying individual.
So what is a coffin nail used for in necromancy? The answer to put it simply is a lot. The nails can be used to carve sigils/symbols/words/etc. into candles. Their most obvious use is in sympathetic magic, where they are used to pierce or prick a poppet. Other uses include talismanic creation, protection spells, hexing, spirit attraction, contract magic, War Water, and warding houses (ie: "nailing down the house"). The coffin nail is associated with graveyards, the dead, and burial and thus can be used in any related magic. They can also be combined with other things such as herbs, graveyard dirt, etc. in order to increase the potency of a necromantic spell. Lastly they can also be used in thanatic magic if they were exposed to death or a dying individual.
Thursday, 19 December 2013
Manannan mac Lir: Lord of Mischief
Religion: Ancient Irish/Scottish/Welsh/Manx
Titles/Epithets: Lord of Mischief, Guardian of the Gates Between Worlds, Master of Mists and Magic, King of the Blessed Isles, Keeper of Youth, First King of the Isle of Man, Foster-Father of Lugh, Grey Rider of Enbarr, Son of the Sea, Guide of Souls, God of Truth, Lord of Storms and Weather, The Great Navigator, etc.
Kingdom: The Isle of Man, Tir na nOg (The Land of the Young), Tir Tairngire (The Land of Promise), Tir fo Thuinn (Land Under the Waves), Emain Ablach (Isle of Women)
Functions: Afterlife Ruler, Psychopomp, Gatekeeper, Foster-Father, Trickster, Master Magician, Patron God of the Isle of Man, Sage, God of Weather/Seas/Truth/Navigation/Hidden Knowledge
Offerings: Ale, Mead, Pork, Beef, Salmon, Hazelnuts, Apples, Yellow Flowers, Seashells, Magical Dedications, Incense
Symbols: Triskele, Triskelion, the Sword Fragarach (the Answerer), Wavesweeper (Coracle)
Sacred Animals: Crane, Pig, Salmon
Sacred Plants: Alder and Apple
Relatives: Lir (Father), Fann/Fand (Wife), Ilbhreac (Son), Fiachna (Son), Gaidiar (Son), Aine (Daughter), Niamh of the Golden Hair (Daughter) Lugh Lamhfada (Foster-Son), Mongan mac Fiachnai (Mortal Son)
http://www.shee-eire.com/Magic%26Mythology/Gods&Goddess/Celtic/Gods/Manannan/Page1.htm
Titles/Epithets: Lord of Mischief, Guardian of the Gates Between Worlds, Master of Mists and Magic, King of the Blessed Isles, Keeper of Youth, First King of the Isle of Man, Foster-Father of Lugh, Grey Rider of Enbarr, Son of the Sea, Guide of Souls, God of Truth, Lord of Storms and Weather, The Great Navigator, etc.
Kingdom: The Isle of Man, Tir na nOg (The Land of the Young), Tir Tairngire (The Land of Promise), Tir fo Thuinn (Land Under the Waves), Emain Ablach (Isle of Women)
Functions: Afterlife Ruler, Psychopomp, Gatekeeper, Foster-Father, Trickster, Master Magician, Patron God of the Isle of Man, Sage, God of Weather/Seas/Truth/Navigation/Hidden Knowledge
Offerings: Ale, Mead, Pork, Beef, Salmon, Hazelnuts, Apples, Yellow Flowers, Seashells, Magical Dedications, Incense
Symbols: Triskele, Triskelion, the Sword Fragarach (the Answerer), Wavesweeper (Coracle)
Sacred Animals: Crane, Pig, Salmon
Sacred Plants: Alder and Apple
Relatives: Lir (Father), Fann/Fand (Wife), Ilbhreac (Son), Fiachna (Son), Gaidiar (Son), Aine (Daughter), Niamh of the Golden Hair (Daughter) Lugh Lamhfada (Foster-Son), Mongan mac Fiachnai (Mortal Son)
Myths
Wednesday, 18 December 2013
Hades, the Unseen One
Religion: Ancient Greek
Titles/Epithets: Zeus of the Underworld, Plouton (Of Wealth), God of the Underworld, Ruler of Many, Host of Many, Receiver of the Dead, Saviour of the Dead.
Kingdom: The Greek Underworld (Consisting of: The Fields of Punishment, The Fields of Asphodel, Elysium, Isles of the Blessed, Tartarus, and the Rivers Styx + Acheron + Lethe + Phlegethon + Cocytus)
Functions: King of the Underworld, Lord of Funerals, Master of Necromancy, Ruler of Ghosts, God of Mining and Metals
Offerings: Precious Metals, Money, Wine, Beef, Pomegranates, Dates, Incense
Symbols: Bident, Helm of Darkness, the Keys of Hades
Sacred Animals: Screech Owl
Sacred Plants: White Poplar, Mint, Cypress, Asphodel
Relatives: Persephone (WIfe), Cronus (Father), Rhea (Mother), Gaia (Grandmother), Uranus (Grandfather) Zeus (Brother), Poseidon (Brother), Hera (Sister), Demeter (Sister), Hestia (Sister) Heracles (Nephew), Theseus (Nephew), Many Others.
Titles/Epithets: Zeus of the Underworld, Plouton (Of Wealth), God of the Underworld, Ruler of Many, Host of Many, Receiver of the Dead, Saviour of the Dead.
Kingdom: The Greek Underworld (Consisting of: The Fields of Punishment, The Fields of Asphodel, Elysium, Isles of the Blessed, Tartarus, and the Rivers Styx + Acheron + Lethe + Phlegethon + Cocytus)
Functions: King of the Underworld, Lord of Funerals, Master of Necromancy, Ruler of Ghosts, God of Mining and Metals
Offerings: Precious Metals, Money, Wine, Beef, Pomegranates, Dates, Incense
Symbols: Bident, Helm of Darkness, the Keys of Hades
Sacred Animals: Screech Owl
Sacred Plants: White Poplar, Mint, Cypress, Asphodel
Relatives: Persephone (WIfe), Cronus (Father), Rhea (Mother), Gaia (Grandmother), Uranus (Grandfather) Zeus (Brother), Poseidon (Brother), Hera (Sister), Demeter (Sister), Hestia (Sister) Heracles (Nephew), Theseus (Nephew), Many Others.
Myths
The Truth Concerning the Angel of Death
Misconception = Azrael is the Archangel of Death
Truth= Azrael is not mentioned in any religious text just folklore and a few traditions. In Jewish lore, Samael is the Angel of Death and is the chief ruler of the Fifth Heaven. He is also mentioned as being Death in Roman Catholicism, and in the Kabbalah.
Symbols: A rod of fire
Roles: Accuser, Seducer of Eve, Father of Cain, and Destroyer, Loyal Servant of God
Relations: Lilith (Bride), Cain (Son), Agrat bat Mahlat/ Naamah/ Eisheth Zenunim (Former WIves and Fallen Angels of Prosititution)
Caution: Extreme care should be taken if working with this entity. If you are a woman it is likely that he will attempt to seduce you. If you are a man it is likely that he will try to lead you to destruction. Additionally this is not a benevolent entity so do not ever cross him.
Truth= Azrael is not mentioned in any religious text just folklore and a few traditions. In Jewish lore, Samael is the Angel of Death and is the chief ruler of the Fifth Heaven. He is also mentioned as being Death in Roman Catholicism, and in the Kabbalah.
Symbols: A rod of fire
Roles: Accuser, Seducer of Eve, Father of Cain, and Destroyer, Loyal Servant of God
Relations: Lilith (Bride), Cain (Son), Agrat bat Mahlat/ Naamah/ Eisheth Zenunim (Former WIves and Fallen Angels of Prosititution)
Caution: Extreme care should be taken if working with this entity. If you are a woman it is likely that he will attempt to seduce you. If you are a man it is likely that he will try to lead you to destruction. Additionally this is not a benevolent entity so do not ever cross him.
Donn, First Ancestor of the Irish
Titles: The Dark One, the First Ancestor, Lord of the Dead, Receiver
of the Dead, Granter of Rest, Rider of the White Horse, Donn of the
Dunes, Chief of the Milesians, Master of the Red Tower, Breaker of
Ships, King of Knockfierna and Tech Duinn, Son of Mil.
Colors: Brown and Black
Symbols: White Horse, Shipwreck, Red Tower, Sand Dunes
Offerings: Mead, Ale, Beef, Grain, Cheese, Butter, Spring Water, Milk
Functions: Faerie King, Protector of Crops and Cattle, God of the Dead, Ancestor of the Irish, Brewer of Storms, Wrecker of Ships.
Home: Tech Duinn and Knockfierna
Festival: Samhain
http://www.shee-eire.com/Magic%26Mythology/Myths/TheLeborGabala/Milesians/Page1.htm
http://www.shee-eire.com/Magic%26Mythology/Myths/TheLeborGabala/Milesians/Page2.htm
http://www.shee-eire.com/Magic&Mythology/Myths/Tuatha-De-Danann/LandingoftheMilesians/Page1.htm
Colors: Brown and Black
Symbols: White Horse, Shipwreck, Red Tower, Sand Dunes
Offerings: Mead, Ale, Beef, Grain, Cheese, Butter, Spring Water, Milk
Functions: Faerie King, Protector of Crops and Cattle, God of the Dead, Ancestor of the Irish, Brewer of Storms, Wrecker of Ships.
Home: Tech Duinn and Knockfierna
Festival: Samhain
Myths
http://www.shee-eire.com/Magic%26Mythology/Fairylore/Fairy-Mountains/The-legend-of-Knocfierna/Page1.htmhttp://www.shee-eire.com/Magic%26Mythology/Myths/TheLeborGabala/Milesians/Page1.htm
http://www.shee-eire.com/Magic%26Mythology/Myths/TheLeborGabala/Milesians/Page2.htm
http://www.shee-eire.com/Magic&Mythology/Myths/Tuatha-De-Danann/LandingoftheMilesians/Page1.htm
Tuesday, 17 December 2013
Osteomancy: Divination with Bones
Main implements: animal bones (chicken, sheep, etc.) stones (bones of
the earth), shells (shellfish, turtles), teeth, seeds (bones of the
plant), claws, horns, etc. These are generally marked with letters,
numbers, pictures, symbols, runes, ogham, etc.
Secondary implement: cloth with 12 inch diameter circle. The circle should be equally divided into three equal sections (Past, Present, and Future)
Instructions: The bones should be held in hands and tossed from 1 1/2 to 2 feet away. Anything that lands outside of the circle should be ignored. The reading is done through a combination of markings, landing location and question context.
Example: "What should I know?" Using Ogham markings on animal bones.
Past= Dair, Coll
Present= Luis, Sail
Future= Nion, Huath
Interpretation: In the Past you found the Wisdom of the Gods. In the Present you are Learning the Magic of the Ancestors. In the Future a Woman will bring you Misfortune.
Please note that systems and methods for osteomancy do vary between both individuals and regions. This is just the way I prefer.
Secondary implement: cloth with 12 inch diameter circle. The circle should be equally divided into three equal sections (Past, Present, and Future)
Instructions: The bones should be held in hands and tossed from 1 1/2 to 2 feet away. Anything that lands outside of the circle should be ignored. The reading is done through a combination of markings, landing location and question context.
Example: "What should I know?" Using Ogham markings on animal bones.
Past= Dair, Coll
Present= Luis, Sail
Future= Nion, Huath
Interpretation: In the Past you found the Wisdom of the Gods. In the Present you are Learning the Magic of the Ancestors. In the Future a Woman will bring you Misfortune.
Please note that systems and methods for osteomancy do vary between both individuals and regions. This is just the way I prefer.
Sunday, 8 December 2013
Thanatic Herbs: Plants of the Dead
There are a number of plants which can be extremely useful to the necromancer. Among these are the following.
Mullein: Erroneously described as a substitute for graveyard dirt, this in fact is a misconception. Known as the "Hag's Taper". The soft leaves are used as candle wicks and the dried stalks are soaked in beeswax or tallow to make a torch for rituals of necromancy. It is also burnt to see manifestations of spirits of the dead at night, to see into the Otherworld, and communicate with the spirits and deities that dwell there. Can also be used in talismans.
Wormwood: Used for summoning spirits and to help them manifest.
Cedar: The dried needles when smouldered serve both as a sustaining feast and call for the blessed dead, and the smoke is used to exorcise malevolent shades. The wood works for this purpose as well when turned into a fetish or as a staff.
Dittany of Crete: Used to aid in the manifestation of the spirits of the dead. Also has somewhat of a nasty reputation because of where it tends to grow. Harvesters tend to fall from the cliffs and crags where it grows and plummet to their death.
Aconite: Also known as Wolfsbane or Monkshood. Because of its incredible toxicity it is better to not to harvest it. If one has the dried root it can be preserved in order to serve as a tutelary spirit. Not to be used by amateurs.
Yew: Known in European countries as the Death Tree, it is a symbol of death, reincarnation, and longevity. Is planted in graveyards to protect the spirits of the dead. It can be used to banish malevolent spirits of the dead. Often associated with sorcery and dark magic. It is considered the sister of the Tree of Life, the birch. One of the traditional wand woods used for thanatic magic.
Apple: Considered the food of the Irish dead and the inhabitants of the Otherworld. Can be added to incense blends or as offerings to feed the spirits of the dead and ancestors.
Mugwort: Ingested as a tea to aid in divination and talking to the dead. Also boiled in water and, then the liquid is used to wash divination tools.
Copal: Serves as a offering to the dead and can be used to appease the spirits who remain in states of trauma or confusion after death.
Willow: The wood of the willow is used in incenses and in the construction of fetishes dedicated to the dead. Also symbolizes the emotion of grief.
Tobacco: May be presented as a herbal offering upon a ancestral altar or a grave in the form of a incense or sacramental smoke to honor the shades of the dead.
Cypress: The oil of this tree serves as a great addition to incenses and formula of the underworld. It is the second traditional wand wood used for thanatic magic.
Myrrh: The oil aids in all blends of a necromantic design. Can also be mixed into incenses.
Graveyard Mold: Technically no folklore or magical traditions associate this herb with necromancy of any kind. However I have included it here because I believe it can be used as a compound in necromantic incenses. Since it grows on graves it should contain some of the essence of the dead.
Mandrake: According to legend King Solomon carried a piece of this root in his seal ring to give him sovereignty over souls. Since one of its names is the "Little gallows man" it can be used as a poppet for laying curses of death, illness, pain, etc.
Birch: Petitions and blessings are written on the bark of this tree which is then burnt or buried in the grave of the spirit.
Bay Laurel: Used to communicate with the dead, possibly through use as an incense. Easily available in the form of bay leaves.
Chervil: Also known as garden chervil or "gourmet's parsley" a tea or other drink made with it can be imbibed to aid in rituals of communion with the dead.
Lavender: Burnt as incense in order to bring peace of mind to the dead.
Marigold: Associated with funerals and used in funeral sprays.
Asphodel: In Greek legend is connected with the dead and the underworld. Sacred to Hades, Persephone, and Hekate. The roots were eaten by the poor of Greece and hence thought good enough food for the dead. Could be burnt as incense or the roots could be given as food offerings.
Thyme: Burnt as an incense helps ease the soul of a person who died a violent death.
American Sycamore: Known as "Ghost Trees" for their distinctive patchy appearance. Associated with the dead and poverty.
Elder: In Norse mythology the tree is considered the Guardian of the Road to Hel (and thus sacred to Hela, Goddess of the Dead). Also associated with the ancestors. The third traditional wand wood used for thanatic magic.
Mullein: Erroneously described as a substitute for graveyard dirt, this in fact is a misconception. Known as the "Hag's Taper". The soft leaves are used as candle wicks and the dried stalks are soaked in beeswax or tallow to make a torch for rituals of necromancy. It is also burnt to see manifestations of spirits of the dead at night, to see into the Otherworld, and communicate with the spirits and deities that dwell there. Can also be used in talismans.
Wormwood: Used for summoning spirits and to help them manifest.
Cedar: The dried needles when smouldered serve both as a sustaining feast and call for the blessed dead, and the smoke is used to exorcise malevolent shades. The wood works for this purpose as well when turned into a fetish or as a staff.
Dittany of Crete: Used to aid in the manifestation of the spirits of the dead. Also has somewhat of a nasty reputation because of where it tends to grow. Harvesters tend to fall from the cliffs and crags where it grows and plummet to their death.
Aconite: Also known as Wolfsbane or Monkshood. Because of its incredible toxicity it is better to not to harvest it. If one has the dried root it can be preserved in order to serve as a tutelary spirit. Not to be used by amateurs.
Yew: Known in European countries as the Death Tree, it is a symbol of death, reincarnation, and longevity. Is planted in graveyards to protect the spirits of the dead. It can be used to banish malevolent spirits of the dead. Often associated with sorcery and dark magic. It is considered the sister of the Tree of Life, the birch. One of the traditional wand woods used for thanatic magic.
Apple: Considered the food of the Irish dead and the inhabitants of the Otherworld. Can be added to incense blends or as offerings to feed the spirits of the dead and ancestors.
Mugwort: Ingested as a tea to aid in divination and talking to the dead. Also boiled in water and, then the liquid is used to wash divination tools.
Copal: Serves as a offering to the dead and can be used to appease the spirits who remain in states of trauma or confusion after death.
Willow: The wood of the willow is used in incenses and in the construction of fetishes dedicated to the dead. Also symbolizes the emotion of grief.
Tobacco: May be presented as a herbal offering upon a ancestral altar or a grave in the form of a incense or sacramental smoke to honor the shades of the dead.
Cypress: The oil of this tree serves as a great addition to incenses and formula of the underworld. It is the second traditional wand wood used for thanatic magic.
Myrrh: The oil aids in all blends of a necromantic design. Can also be mixed into incenses.
Graveyard Mold: Technically no folklore or magical traditions associate this herb with necromancy of any kind. However I have included it here because I believe it can be used as a compound in necromantic incenses. Since it grows on graves it should contain some of the essence of the dead.
Mandrake: According to legend King Solomon carried a piece of this root in his seal ring to give him sovereignty over souls. Since one of its names is the "Little gallows man" it can be used as a poppet for laying curses of death, illness, pain, etc.
Birch: Petitions and blessings are written on the bark of this tree which is then burnt or buried in the grave of the spirit.
Bay Laurel: Used to communicate with the dead, possibly through use as an incense. Easily available in the form of bay leaves.
Chervil: Also known as garden chervil or "gourmet's parsley" a tea or other drink made with it can be imbibed to aid in rituals of communion with the dead.
Lavender: Burnt as incense in order to bring peace of mind to the dead.
Marigold: Associated with funerals and used in funeral sprays.
Asphodel: In Greek legend is connected with the dead and the underworld. Sacred to Hades, Persephone, and Hekate. The roots were eaten by the poor of Greece and hence thought good enough food for the dead. Could be burnt as incense or the roots could be given as food offerings.
Thyme: Burnt as an incense helps ease the soul of a person who died a violent death.
American Sycamore: Known as "Ghost Trees" for their distinctive patchy appearance. Associated with the dead and poverty.
Elder: In Norse mythology the tree is considered the Guardian of the Road to Hel (and thus sacred to Hela, Goddess of the Dead). Also associated with the ancestors. The third traditional wand wood used for thanatic magic.
Saturday, 7 December 2013
The Instrument of the Dead
The flute is perhaps the most useful instrument a necromancer could
possess as it allows him/her to summon the spirits of the dead without
the need of a long fancy ritual. According to instructions the flute is
to be made of either elder wood or bamboo. The elder wood flute is used
to summon all the spirits of the dead within range when it is played.
The bamboo flute on the other hand has the name of a deceased person
carved into its side and can only summon that individual. The same sort
of location must be chose for the performance regardless of which flute
is to be played. It must be quiet, free of people, and relatively
isolated. Along with the flute the necromancer should bring summoning
incense and a censor, a iron knife, anointing oil, and possibly an
offering for the dead.
To use the instrument, the necromancer should start playing at a slow speed. I have been reassured that one does not need to be able to actually carry a proper tune. Gradually the necromancer should increase the speed of his/her playing until it reaches a fever pitch. During this time he/she should be thinking of their intent to contact the spirits of the dead. Eventually the spirits or spirit should arrive drawn by the combination of noise and summoning incense. At this point playing should be stopped and the necromancer should negotiate with the spirit(s) for information or the performance of a task. If it is the first time they have been summoned then they should be given an offering as a sign of friendship but not asked for anything. To dismiss the spirits they should first be told that business is done, then the flute should be played again. This time however the necromancer should start playing at a fast pace and gradually get slower until they stop. The process of playing the flute is similar to invoking sylphs to increase or decrease the wind. If any of the spirits does not leave when dismissed and starts causing trouble, standard banishing procedures should be followed.
Please note that as normal for necromantic operations, the summoning should be performed during full dark.
To use the instrument, the necromancer should start playing at a slow speed. I have been reassured that one does not need to be able to actually carry a proper tune. Gradually the necromancer should increase the speed of his/her playing until it reaches a fever pitch. During this time he/she should be thinking of their intent to contact the spirits of the dead. Eventually the spirits or spirit should arrive drawn by the combination of noise and summoning incense. At this point playing should be stopped and the necromancer should negotiate with the spirit(s) for information or the performance of a task. If it is the first time they have been summoned then they should be given an offering as a sign of friendship but not asked for anything. To dismiss the spirits they should first be told that business is done, then the flute should be played again. This time however the necromancer should start playing at a fast pace and gradually get slower until they stop. The process of playing the flute is similar to invoking sylphs to increase or decrease the wind. If any of the spirits does not leave when dismissed and starts causing trouble, standard banishing procedures should be followed.
Please note that as normal for necromantic operations, the summoning should be performed during full dark.
Friday, 6 December 2013
What Necromancy is NOT
This is a subject which many practitioners of necromancy have
discussed before me, but I feel there is a need to clarify it anyway.
Necromancy has been demonized by many sources including: the ancient
Romans, video games, officials of the Christian Church, sensationalists,
Hollywood, and various ignorant factions in general. The fact is
necromancy in all its forms involves working with spirits (ancestors,
the dead, psychopomps, death gods, underworld daemons, the angel of
death etc.) not corpses or dead bodies. Grave desecration, human sacrifice, and
necrophilia are also not part of this magical practice, and are abhorred by
true practitioners. Necromancy is also not, despite what many people
claim, a Dark Art. Necromancers frequently give their aid in finding
love, healing illnesses, amplifying fertility, protecting those being
harmed, removing harmful influences, etc. It does have its dark aspects
but then any magical tradition does. Most individuals
who practice this art also believe it is their duty to help earthbound
spirits cross into the afterlife.
All in all necromancy has done nothing to earn its unsavory reputation. Hopefully understanding will go a long way in clearing the misconceptions.
All in all necromancy has done nothing to earn its unsavory reputation. Hopefully understanding will go a long way in clearing the misconceptions.
The First Step: Constructing the Altar of the Dead
Over the holidays while I am at home I will be gathering the
materials I need for the construction of an Altar of the Dead. This will
mesh a necromantic working altar with one for the Ancestors and Donn,
Irish God of the Dead. The following materials will be needed: Anointing
oil, ancestor dolls, good wine glasses, white horse statuette, black
altar cloth, incense, spirit vessels, necromantic herbs, small cast iron
cauldron, black candles (unscented), air-tight containers for holding
graveyard dirt, spirit powder, rusted nails (substitute for coffin
nails), bell, ritual knife, bamboo or elder flutes, and a iron wand.
Hopefully by the time my roommate and I move into our new place I will have the materials required and I will be able to begin my practice. There is already a work bench in the basement of the new house that I will be using for this purpose. Having it located beneath the ground seems to be the proper place for it. I will be using ancestor dolls in place of pictures and personal objects because the latter simply takes up too much space. An additional reason is that not many personal belongs from my ancestors have been kept. Anyways that's all for now, thanks for reading.
Hopefully by the time my roommate and I move into our new place I will have the materials required and I will be able to begin my practice. There is already a work bench in the basement of the new house that I will be using for this purpose. Having it located beneath the ground seems to be the proper place for it. I will be using ancestor dolls in place of pictures and personal objects because the latter simply takes up too much space. An additional reason is that not many personal belongs from my ancestors have been kept. Anyways that's all for now, thanks for reading.
Thursday, 5 December 2013
Welcome and Introduction
I would like to welcome old readers and new readers alike to the new home of the Grey Necromancer. This blog as some of you may know, contains information about necromancy as well as records of my experiments in the Art. As you browse these posts you will discover uncommon tools, deities of death, thanatic magic theories, and much more.
As for myself I am devotee of Manannan mac Lir and I am well-versed in the theories behind the various theories and tools of thanatic magics. I also have a fair amount of experience with and knowledge of spirit-working. Unfortunately I have little practical experience with thanatic magic, though this is slowly changing. So feel free to follow along if this interests you, as the knowledge herein will serve you well.
My ultimate goal to be achieved through this blog is the invention of a new variety of necromantic practice. It will blend together tools, workings, approaches, and theories from a number of different traditions and cultures. Those who use it will then be able to easily adapt it to their needs.
As for myself I am devotee of Manannan mac Lir and I am well-versed in the theories behind the various theories and tools of thanatic magics. I also have a fair amount of experience with and knowledge of spirit-working. Unfortunately I have little practical experience with thanatic magic, though this is slowly changing. So feel free to follow along if this interests you, as the knowledge herein will serve you well.
My ultimate goal to be achieved through this blog is the invention of a new variety of necromantic practice. It will blend together tools, workings, approaches, and theories from a number of different traditions and cultures. Those who use it will then be able to easily adapt it to their needs.
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